This would be obvious and not 'fixable' once the stereo tracks were finalized. Of course, if the recording was made and in the mixing process to stereo, a L mic was swapped to the R channel, and the other mics remained in the proper 'order', the soundstaging would be 'all over the place'. once things have been mixed to stereo, reversing L-R won't do anything to soundstaging or depth perception etc. I believe you're thinking of phase inversion or something.
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